Our website uses cookies to improve your user experience. Trevor Paglen, Octopus (2020), via Pace Taking over the Pace Gallery space at 6 Burlington Gardens in London, artist Trevor Paglen opens a show that seeks to find a shared physical and digital space, mining the artist’s long engagement with technology and aesthetics to present a set of new works that explore the society-shaping power of computing, and the massive troves of … Trevor Paglen Accompanying the Bloom works is a large-scale reconstruction of a "standard head" - a mathematical model developed by CIA agent Woody Bledsoe in the 1960s. Thank you, your email has been added to the list. LONDON.- Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Trevor Paglen Accompanying the Bloom works is a large-scale reconstruction of a "standard head" - a mathematical model developed by CIA agent Woody Bledsoe in the 1960s. Distracted Drivers and Classifications of Gait showcase grids composed of thousands of smaller images used to evaluate people’s behaviours for commercial purposes. Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. New Gallery from Jacob Barnes of Soft Punk Magazine and Morgane Wagner of Square Gallery opening in February. Trevor Paglen, Bloom (#7a5a4e), 2020, dye sublimation print, 175.3 cm × 233.7 cm (69″ × 92″) © Trevor Paglen, courtesy the artist. “Computer vision and artificial intelligence have become ubiquitous,” says Paglen. By Mark Westall • 7 September 2020Share —. Trevor Paglen Bloom (#a8866d), 2020 Dye sublimation print 137.2 x 102.9 cm Pace Gallery. The colours and shapes in the images represent similar areas that the AI has detected in learning from other images of flowers. Trevor Paglen: Bloom; until 10th November 2020; Pace Gallery, 6 Burlington Gardens, W1. A new body of work by the interdisciplinary artist and technology activist Trevor Paglen—on view at Pace Gallery’s London venue, ... Related Articles “Bloom” is a series of high-resolution photographs of flowering trees. Trevor Paglen: Bloom. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment.A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. This dataset was created by State Farm insurance to adjust their insurance premiums in real-time, based on that information. Pace London is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. CALL OUT FOR ARTISTS Sculptors in the north wanted for The Liverpool Plinth. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. At 6 Burlington Gardens until 10th November, and on the gallery’s digital platform, We disregard the future. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure The artist’s large-scale photographs Bloom validate intuition that something is ‘off’. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. Paglen’s latest solo exhibition, at Pace in London, is aptly titled “Bloom.” It features several large-scale photographs of flower formations, a nod to the … ‘What is that really?’ is often a sensible question once you’re used to the tricky ways of artists. Artificial intelligence algorithms are designed and trained to look for faces, unique key points, lines, circles, and areas of interest as they attempt to deconstruct the underlying reality into a more simplified series of sections or shapes. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. Artist Peter Doig is collaborating with Kim Jones for Dior Men FW21, See You Tomorrow – MA Art and Science Open Studio, Central Saint Martins, UAL, Wandering Intuition, a solo exhibition by leading figurative artist Henrik Aa. Dialoguing with The Standard Head is The Model (Personality), a plated bronze phrenology skull derived from the current categories that are used in predictive policing and sentencing algorithms that intend to gauge someone’s level of criminality by measuring their psychological attributes and behaviours. The works in this exhibition seek to provide a small glimpse into the workings of platforms that track faces, nature, and human behaviour, and into the underlying data that structures how machines ‘perceive’ humans and landscapes. Trevor Paglen: Bloom Paglen's works initiate from data computing technologies shaping contemporary society. Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed … Art news, exhibitions, competitions and lots more every day, Join the FAD newsletter and get the latest news and articles straight to your inbox, deeds to a château in France (Coming 2021), Obvious and RAWS team up to create a new contemporary reinterpretation of parietal art, Pace Gallery to open new 8,600-sq-ft gallery space in central London, Watch Patti Smith Celebrate Biden inauguration with free virtual performance on FAD magazine, The Top 5 Online Exhibitions to see in January. Trevor Paglen: Bloom Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Sort: Trevor Paglen. 1974) is an American artist examining the systems and technologies that shape our world. Trevor Paglen: Bloom, September 10, 2020 - November 10, 2020 at Pace Gallery, London, United Kingdom Share; Tweet; Advertisement. Pace London Burlington Gardens, 6 Burlington Gardens Held both at 6 Burlington Gardens and online, “Bloom” features the complex and pioneering work by Trevor Paglen, revolving around current themes such as the politics of images, facial recognition … Another component of the exhibition is an interactive live-stream titled Octopus, allowing anyone with a webcam to see the exhibition space from different camera angles and, at the same time, broadcast themselves to monitors in the gallery.In a video-conference panel in late October hosted by the gallery, Paglen said about this piece: "I was thinking about Zoom calls and … These simple truths resonate through Trevor Paglen’s works. When a member of the public’s image is captured by a camera and simultaneously projected on the gallery video monitor, the AI model categorises them according to the dataset. In this new work, I am interested in exploring the numerous examples of computer training sets creating AIs that reflect and perpetuate unacknowledged forms of racism, patriarchy, and class division that characterise so much of society.”. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed … works explore Paglen’s central themes of artificial intelligence, the politics of images, fa-cial recognition technologies, and alternative futures. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. In this new reality, the digital and the virtual make it possible to continue to keep business moving, to socialize, and to participate. Trevor Paglen begins to unravel these complexities by making the invisible visible through art. Artist Trevor Paglen discusses why AI image datasets are problematic, and why he’s turning the lens on the public in Bloom, his new show at Pace, London. Octopus, meanwhile, is an all-encompassing work allowing visitors to engage with the show through an online portal. Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. – Trevor Paglen, June 2020. In a complex body of work that encompasses sculpture, photography, drawings and digital practices like facial recognition technology and AI, Trevor Paglen interrogates the systems that underpin today’s society. In a series of pen-onpaper drawings, Paglen shows how complex images are “abstracted” into much simpler versions in computer vision systems, drawing parallels between computer vision systems and Constructivist and Cubist ways of seeing. Computing systems that collect, interpret and operationalize data that defines and tracks identity, movement, and habits fuel the artist’s broad practice. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Open through November 10 both in-person and online, “Bloom” features pieces The Standard Head, which reconstructs CIA agent Woody Bledsoe’s 1960s equation for the typical human head.In ImageNet Roulette, Paglen explores a facial recognition system called ImageNet, which has been found to classify imagery through a lens of racist, misogynistic, and controversial … Trevor Paglen is known for investigating the invisible through the visible, with a wide-reaching approach that spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Employing a variety of disciplines throughout his oeuvre, from investigative journalism to scientific research, the exhibition will feature new sculptures, photographs, drawings, and digital components that relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. Mark Westall is the Founder and Editor of FAD magazineFounder and co-publisher Art of Conversation and founder of the platform @worldoffad, Obvious and RAWS have collaborated on a new artwork Parietal Burner #1 using cave paintings from Lascaux: The artwork is […]. Trevor Paglen In this special interview, Monocle’s Augustin Macellari talks to artist Trevor Paglen about his new London exhibition, ‘Bloom’, and reflects on how technology’s complicated systems are shaping our lives. He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. The project is a provocation, acting as a window into some of the racist, misogynistic, cruel, non-scientific, controversial, and simply absurd categorisations embedded within ImageNet and other training sets that AI models are built upon, Trevor Paglen Bloom (#a5808a), 2020 dye sublimation print 137.2 cm × 102.9 cm (54″ × 40-1/2″) © Trevor Paglen, courtesy the artist and Pace Gallery, Trevor Paglen Bloom Sep 10th –Nov 10th, 2020 Pace London pacegallery.com. Upon closer inspection, the colours separate, and individual lines of text pulled from email spam emerge from their abstraction. The sprays of blossoms are tinted different colors in variegated sections, a slightly nauseating spectrum of reds, yellows, blues, and purples. This is Pace’s second exhibition with the artist. FAD Magazine is a daily news website covering: Fashion, Art and Design. Paglen’s new interactive live-stream work Octopus (2020) responds to the current moment where periods of isolation, distance, and limitations on travel impact the way society works, interacts with each other, and experiences art. If you continue browsing, we assume that you consent to our use of cookies. Centre-stage is The Standard Head, a large-scale reconstruction of 1960s pioneer CIA agent Woody Bledsoe’s mathematical model of a “standard head”, which Paglen has re-constructed from information in Bledsoe’s archive at the University of Texas. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Paglen has had numerous one-person exhibitions, including at the Museum of Contemporary Art San Diego (2019); Frankfurter Kunstverein, Frankfurt (2015); Eli & Edythe Broad Art Museum, Michigan State University, East Lansing (2015); Protocinema Istanbul (2013); Van Abbemuseum, Eindhoven, Netherlands (2013); and Vienna Secession (2010). Four current shows are evidence. Trevor Paglen (born 1974) is an American artist, geographer, and author whose work tackles mass surveillance and data collection. Computing systems that collect, interpret, and operationalize data that defines and tracks … Trevor Paglen’s complex and pioneering work examines the systems and technologies that shape society. If you continue browsing, we assume that you consent to our use of cookies. … 10 September 2020 - 10 November 2020 / Pace London / Art Categories Events, Exhibition / Art Tags Pace London, Trevor Paglen / / / / / Trevor Paglen’s complex and pioneering work examines the systems and technologies that shape society. The works in Bloom recall the vanitas tradition in art, in which symbolic objects such as skulls, flowers, and books remind us of mortality, the fragility of life, and the vanity of worldly pleasures. En Liang Khong Features 10 September 2020 ArtReview. Trevor Paglen’s ‘Bloom’ Shows That Algorithms Can’t Automate Beauty – ARTnews.com. The discreet sanc-tuary of home is no longer certain. The world has become too complex and too fragmented for any human to fully comprehend it. With Bloom, Trevor Paglen collapses distinctions between the real and virtual, laying bare the prejudices embedded in supposedly objective artificial intelligence systems.Paglen has made a career of visualizing the invisible power structures and systems which govern contemporary society. Bloom. Trevor Paglen (b. Paglen recalls feeling “hyper-aware” on his daily walks during lockdown of the visual signifiers of winter turning to spring—the bloom of nature, as humanity remained confined indoors. The dataset for Distracted Drivers, for example, is a collection of images used to recognise if someone is distracted while driving by an AI system. An artist and author of numerous books and articles, Trevor Paglen uses special equipment to photograph sites of secret government activity, or “black sites,” including the Tonopah Test … Paglen’s complex and pioneering work examines the systems and technologies that shape society. These simple truths resonate through Trevor Paglen’s works. Trevor Paglen: 'I’d go outside and have this overwhelming sense of fear but at the same time I was watching nature explode' How the artist made his new show in the midst of a pandemic. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. 1974) is an American artist examining the systems and technologies that shape our world. Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. About Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. The world is a messy place. As a multidisciplinary grant-maker, the Center invests in cultural projects and practitioners, on a mission to enhance public life in the Greater Philadelphia area. Embedded in the work is a critical dialogue on the nature of how we use media and technology and how it impacts the way we see and are seen. A new body of work by the interdisciplinary artist and technology activist Trevor Paglen —on view at Pace Gallery’s London venue, with a … Trevor Paglen The Disasters, 2020 pigment print 147.3 cm × 147.3 cm (58″ × 58″) © Trevor Paglen, courtesy the artist and Pace Gallery. Trevor Paglen: Bloom (#9b746d) , 2020, dye sublimation print, 40½ by 54 inches. ... “Bloom” is a series of high-resolution photographs of flowering trees. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. From close-ups of individual artworks at unexpected angles to wide frames of the room that allow online participants to watch visitors seeing the work in person, the view of the exhibition via webcam offers an uncanny experience between observation and surveillance. Artist Sammy Baloji on Colonial Legacies, New Stories and … Trevor Paglen, Bloom, runs at Pace Gallery, London, from 10 September to 10 November 2020. Trevor Paglen, Bloom (#79655d), 2020, dye sublimation print, 66 cm × 49.5 cm (26" × 19-1/2"); 68 cm × 51.4 cm × 3.8 cm (26-3/4" × 20-1/4" × 1-1/2"), framed, Edition of 5 + 2 APs © Trevor Paglen In his new body of work, Bloom, themes of surveillance, observation and imperfect algorithms are explored within the context of mourning and the fragility of life. “The works in this exhibition seek to provide a small glimpse into the workings of platforms that track faces, nature, and human behaviour, and into the underlying data that structures how machines ‘perceive’ humans and landscapes. Trevor Paglen Bloom Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom is being presented from 10 September to 10 November 2020 and explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. About. Paglen's complex and pioneering work examines the systems and technologies that shape society. Our website uses cookies to improve your user experience. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Octopus provides virtual access to new art experiences, while also commenting on the issues of access, consent, and surveillance that are profoundly impacting this new hyper-mediated reality. Trevor Paglen (b. The world has become too complex and too fragmented for any human to fully comprehend it. Trevor Paglen Bloom (#a8866d), 2020 Dye sublimation print 137.2 x 102.9 cm Pace Gallery Trevor Paglen A Prison Without Guards (Corpus: Eye-Machines) Adversarially Evolved Hallucination , 2017 Dye sublimation metal print Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. They do not represent real-to-life colours so much as what the AI thinks the different parts of the images are. Uldalen, BREAKING An installation online by Richard Ducker & Robert Good. In this new work, I am interested in exploring the numerous examples of computer training sets creating AIs that reflect and perpetuate unacknowledged forms of racism, patriarchy, and class division that charac-terise so much of society.”. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure Bloom (#a5808a), 2020. Trevor Paglen: Bloom. Trevor Paglen AC, 2020 pigment on textile 45.7 cm × 45.7 cm (18″ × 18″) © Trevor Paglen, courtesy the artist and Pace Gallery, “Computer vision and artificial intelligence have become ubiquitous. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Airlines and Sentiments and The Disasters feature lines of texts culled from datasets that AI developers employ to teach computer systems to analyse and emotionally interpret the content of online communications. – Trevor Paglen, June 2020. Presented alongside these sculptures are a series of new drawings and compositional paintings that are similarly based on mathematical simplifications produced by various computer vision algorithms. ImageNet Roulette is an interactive artwork that classifies people’s digitally-captured portraits according to one of the most widely-used datasets used for training and evaluating computer vision systems. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Trevor Paglen: Bloom Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). As art spaces continue to grapple with visitor access in a post-COVID era, Paglen’s new work offers a new perspective on virtual engagement in the gallery space. September 10 – November 10, 2020. 16.00 BST (on Zoom). Trevor Paglen, Bloom (#5f5554), 2020, dye sublimation print, 69" × 92" (175.3 cm × 233.7 cm) 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed "Computer vision and artificial intelligence have become ubiquitous. Available for sale from Pace Gallery, Trevor Paglen, Bloom (#9b746d) (2020), Dye sublimation print, 105.7 × 140 × 5.1 cm A critical dialogue on the nature of how we use media, technology and how it impacts the way we see and are seen, visitors are given the option to stream their personal webcams into the gallery space on monitors. The world is a messy place. Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. Trevor Paglen A Prison Without Guards (Corpus: Eye-Machines) Adversarially Evolved Hallucination, 2017 Dye sublimation metal print 81.3 x 101.6 cm Metro Pictures Contact Gallery. Marc Glimcher, President and CEO of Pace Gallery, today announced plans to expand the business’s presence in London with a new 8,600-sq-ft location at 4 Hanover Square. Simultaneously, participants “visiting” the show via livestream are also present in the gallery, as visitors are given the option to stream their personal webcams into the gallery space on monitors. From other images of flowers 2020 on NOWNESS something is ‘ off ’,. Photograph: Paglen Studio/Trevor Paglen, Bloom, runs at Pace, two sculptures the... C-Print 91.4 x 139.7 cm Metro Pictures Contact Gallery a quick chat with Sebastian. Says Paglen all-encompassing work allowing visitors to engage with the show through an online portal November... Not represent real-to-life colours so much as what the AI has detected in learning from other images of flowers people... Re used to evaluate people ’ s works individual lines of text pulled email... 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