Rather than accept the established elite preference for hard, smooth imported Chinese porcelain, he considered softer, more textured locally produced earthenware to be superior, beginning a tradition of Raku ware in Kyoto that continues to this day. Accession Number: 16.13.1 We think about the world's collectors … Through the first part of the 16th century, drinking tea was an exclusive activity reserved for the elite (and for Buddhist monks, but that is another story). Credit Line: Rogers Fund, 1916. May 29, 2012 - The Freer Gallery of Art and the Arthur M. Sackler Gallery are the Smithsonian's museums of Asian art. We Accept PayPal Only. We spend our days measuring objects, checking their condition, making sure they are properly stored, photographing them, determining how they can best be shown, designing casework and mounts, carefully moving and installing them, adjusting the lighting, and monitoring the gallery environment while they are on display. One behind-the-scenes memory comes to mind in this regard, and it is of our teabowl by Hon’ami Kōetsu. Kōetsu lived at a time when the tea ceremony was undergoing a radical transformation. (3821), Your email address will not be published. This generously sized tea bowl has a slender "clamshell" lip curving gently inward; the body rounds plumply outward towards its base. Nevertheless, I am greatly looking forward to being once again in this treasured bowl’s presence, and watching the play of light—so troublesome to a photographer—on its surface, shifting and changing with a life of its own. Indeed, Kōetsu holds a special place in the history of Japanese art, and it is remarkable how much he influenced what we consider to be a distinctly Japanese aesthetic today. Through the art of tea, Koetsu made connections with the powerful merchant class and, also thorugh his family, the ruling class. Payment. Kōetsu came from a family of sword polishers, but he excelled in many media, including lacquer, calligraphy, graphic design, and of course, ceramics. Nevertheless, I am greatly looking forward to being once again in this treasured bowl’s presence, and watching the play of light—so troublesome to a photographer—on its surface, shifting and changing with a life of its own. A few years ago this bowl was the centerpiece of an exhibition, and I asked our Digital Imaging Specialist, Scott Kubo, to take new photographs for promotional materials. Medium: Clay covered with glaze, except on lower part where it is left bare. For the past few weeks, my interaction with HoMA’s collection has been entirely digital. Start now. Anna Kushina (櫛名アンナ, Kushina Anna) is a female Strain and the current King of Waraku kiln has been producing raku wares in Kyoto since the end of Edo era. Mar 15, 2018 - This Pin was discovered by nicole wang. I miss this, and think many would agree that, as grateful as we are that HoMA can maintain an online presence in these unusual circumstances, the virtual museum will never replace the physical museum. your own Pins on Pinterest Kōetsu was in the third generation of tea masters who continued Rikyū’s innovations. This is another tea bowl we offer from famous Waraku Kawasaki. Delete Resource - Tea bowl in style of Hon'ami Koetsu, unknown Raku ware workshop Teabowl I miss this, and think many would agree that, as grateful as we are that HoMA can maintain an online presence in these unusual circumstances, the virtual museum will never replace the physical museum. 1600. Ceramic Plates. However, this century also saw changes in Japan’s economy that facilitated the spread of wealth and its trappings to a wider segment of the population. This bowl is one of a small number of surviving ceramics by Hon'ami Koetsu (1558-1637), a noted designer-connoisseur who played a prominent role in Kyoto artistic circles during the late sixteenth and early seventeenth centuries. Your email address will not be published. Aug 9, 2014 - 財団法人樂美術館は樂焼の美術館として1978年樂家に隣接して設立。所蔵品は約900点、樂家14代樂覚入によって寄贈された樂家に伝来する樂歴代作品と茶道工芸美術、樂家文書資料であります。樂歴代はこれらを創作の糧としてを学び、伝えてきたものであります。 Finally, we decided to stitch several images together to create a photo with (gently enhanced) perfectly even light. Enraged, Hideyoshi stormed into the temple to find Rikyū and punish him, only to come across one perfect blossom, exquisitely displayed inside. By signing his name, Koetsu was able to assert the ego of the creator through the tea bowl. Some 450 years ago, Chojiro, the founder of the Raku family, set about making Raku tea bowls that were adored by Sen no Rikyu. Hon’ami Koetsu Tea Bowl, Japan by Kim Bui — 11 Hon’ami Koetsu Tea Bowl, Japan by Kim Bui — 11 Bring your visual storytelling to the next level. Hon’ami Kōetsu (japanisch 本阿弥 光悦; geb. We spend our days measuring objects, checking their condition, making sure they are properly stored, photographing them, determining how they can best be shown, designing casework and mounts, carefully moving and installing them, adjusting the lighting, and monitoring the gallery environment while they are on display. Hon'ami Koetsu Fujisan 1.jpg 2,689 × 2,015; 572 KB Hon'ami Koetsu Fujisan 2.jpg 2,426 × 2,433; 531 KB Tea bowl by Hon'ami Koetsu, Honolulu Museum of Art.JPG 3,085 × 2,715; 1.01 MB Mar 16, 2015 - This Pin was discovered by Graham Dean. One can only imagine what it must have been like to hold this bowl in your hands, sense the (perfect) imperfections of its surface on your skin, admire the color harmony of bright green tea and soft red clay, and feel the warmth of the freshly whisked tea as you raised the bowl to your lips. Tea bowl in the style of Hon'ami Koetsu, named Shigure, unknown Raku ware workshop 19th century. Ceramic Pottery. Scott is meticulous about getting the best image, and after working for a long time, he showed me several test shots. The name derives from the white glaze, which appears to sit on the bowl like snow on Mount Fuji, Japan’s most tallest and respected mountain. This bowl is one … Until then, even ceramicists did not clearly acknowledge tea bowls as works of art. Changes were at first gradual, but one Sakai tea master, Sen no Rikyū (1522–1591), gained the support of the most powerful military leader in Japan, Toyotomi Hideyoshi (1537–1598), and together they forever changed the Way of Tea. Discover (and save!) For the past few weeks, my interaction with HoMA’s collection has been entirely digital. Scott is meticulous about getting the best image, and after working for a long time, he showed me several test shots. One behind-the-scenes memory comes to mind in this regard, and it is of our teabowl by Hon’ami Kōetsu. Japanese Pottery .. Please make a payment within 3 days after send my invoice. Scott is meticulous about getting the best image, and after working for a long time, he showed me several test shots. Unlike Rikyū, who relied on others to produce his bowls, Kōetsu actually made bowls himself, and sourced his clay locally. Nov 30, 2014 - Hon'ami Koetsu chawan, "Amagumo", early XVII. Last updated: 11/24/2020. He distinguished himself in his original designs and production of several Raku tea bowls, many of which are now designated as Important Cultural Properties, and can be seen in museums around the world. He was unsatisfied … It is representative of Kôetsu's tea bowl. Leben und Werk. Freer Gallery of Art and Arthur M. Sackler Gallery Washington, DC, United States. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Matcha tea bowl Akaraku tea bowl Akaraku intrusion tea bowl Hon'ami Koetsu Yukimine copy . Item Description. DIY Pottery. Add text, web link, video & audio hotspots on top of your image and 360 content. Hon'ami Koetsu studied under the Raku … Scott is meticulous about getting the best image, and after working for a long time, he showed me several test shots. Kōetsu lived at a time when the tea ceremony was undergoing a radical transformation. Hon'ami Koetsu was a sword polisher and appaiser by profession, but he gained fame as a calligrapher and also as a maker of tea bowls that were much admired and replicated. When he arrived, however, all of the flowers had been cut away. Teabowl Discover (and save!) This record has been reviewed by the curatorial staff but may be incomplete. This was the first time in the history of Japanese ceramics that a creator inscribed his name into an item. 8.5cm Please read the profile before proceeding. English: Tea bowl by Hon'ami Kōetsu, Edo period, 17th century, earthenware with glaze and lacquer, Honolulu Museum of Art accession 3821 Hon'ami Koetsu chawan, "Amagumo", early XVII. Koetsu was deeply moved by the death of his teacher Oribe and embraced the Way of Tea with humility and respect. 11cm Height approx. Hon’ami Kōetsu (1558–1637) All, perhaps, while gazing upon one perfect morning glory…. The name derives from the white glaze, which appears to sit on the bowl like snow on Mount Fuji, Japan's most tallest and respected mountain. Red Raku tea bowl, known as "Kaga Koetsu" View Title Red Raku tea bowl, known as "Kaga Koetsu" Creator/Culture painter: Hon’ami Kōetsu (Japanese, 1558-1637) Work Record ID 566568 Image Record ID 1331650 Classification Filing Number 452J KO112 F 6 Die Mitglieder der Hon’ami-Familie waren Schwert-Schärfer und -Polierer sowie Beurteiler von Schwertern. He was unsatisfied with all of them, because no matter what he did, the glaze was highly responsive to light, and there was a glow that, while beautiful in person, created hot spots in the photos. Shipping. He was unsatisfied with all of them, because no matter what he did, the glaze was highly responsive to light, and there was a glow that, while beautiful in person, created hot spots in the photos. 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